My seasons on the air and on the road with John Feinstein

Like most of Notre Dame’s other victories during its four-decade winning streak over Navy, the game they played on Nov. 14, 1998 was over long before it concluded. 

Through three quarters, the Fighting Irish led 27-0, leaving this voice of the Midshipmen little reason to sound excited on the radio and every reason to long for a running clock. But those final 15 minutes, featuring only a Notre Dame field goal, dragged on interminably, challenging my partner John Feinstein and me to hold any remaining listeners’ interest.

Fortunate for me, nobody filled time like John. 

He could do it with a 60-second parting shot, sitting alongside ESPN’s Dick Schaap early on a Sunday, or in just over three minutes, chatting with NPR’s Bob Edwards on a weekday Morning Edition. During other day parts, usually after headlines, John could deliver a quarter hour of radio gold: bold opinions informed by a savant’s knowledge of the four major sports, plus golf and tennis majors, spoken with utter and unsparing conviction, while never reaching for the easy pickings of low-hanging hot takes.  

A sports media star of that time, earning credibility over years of groundbreaking reporting and prolific writing as a bestselling author, John was in a rarefied position to speak his mind. He could say whatever he wanted because he was so successful. And he was so successful, in part, because he said whatever he wanted. It didn’t matter whether he was in sports-talk drive time or garbage time of a lopsided game.

On this Saturday afternoon, in a place then known as Raljon, Md. at a year-old stadium briefly named after its builder and owner of Washington’s football team, Jack Kent Cooke, John was in his second full season as Navy’s color commentator. Among his many roles — columnist for The Washington Post, author (of 40-plus books), commentator on The Golf Channel, A-list radio guest — this one was a labor of John’s love for the service academies that inspired his 1995 book on the Army-Navy rivalry, “A Civil War.” 

It was my first full year calling play-by-play for the Mids, after taking over for Steve Buchantz when he was hired for Washington Wizards telecasts midway through the previous season. Admittedly uptight even when I tried to cut loose, I had struggled to date with John’s unpredictability on the air. Believe me when I repeat that John said whatever, whenever he felt the urge, particularly about a sports topic or figure — local or national — that needed calling out. 

“Bob, I’m three of the most cynical people you’re ever going to meet,” John liked to joke…while on the air.

Surrounded by tens of thousands of Notre Dame’s so-called subway alumni, John used this opportunity to dispel what he considered the myth of Fighting Irish mystique. I don’t recall specifics of what he said, only that it was enough to turn a leprechaun’s grin into a grimace. What I do remember is his pause for an aside at the expense of the CBS crew in the booth next door. 

I could hear my future career flashing before my bespectacled eyes. What will the Naval Academy higher-ups think about all of this? No way will I ever get a job at CBS. I was close to breaking down. Then John broke me up.

“By the way, for all you Notre Dame fans waiting in the parking lot,” big John, figuratively and literally, said in the game’s final seconds, “Feinstein’s the little guy with the glasses.”

Thinking about that moment brings me a smile on an otherwise sad day, hours after being stunned by word of John’s death at age 69.  John was described by colleagues as “legendary,” as a  “a titan,” as “consequential.”  For me, John was a friend by my side for 14 seasons of Navy broadcasts and nine years of Patriot League basketball telecasts. 

We shared rides to and from remote campus gyms, often late into night. John always drove — the car, and the conversation. We shared pregame meals. Sometimes at a roadside McDonald’s en route to Lewisburg, Pa. Sometimes at The Palm in Philadelphia on the eve of Army-Navy. John always treated. 

And we shared Army-Navy. Fourteen times, most with John’s reminder that “A Civil War” was “like (his) third child.” It became his fourth after his youngest daughter Jane’s birth.

Not only did John write the book on Army-Navy, he spread its gospel. There’s never been a better spokesman for what separates this special rivalry from others than the Duke grad whose typical uniform was a well-worn sweater and worn-out loafers.

For one day every December, from march-ons through alma maters, ‘three of the most cynical people’ I ever met became an unabashed romantic. 

From our first Army-Navy broadcast with Pete Van Poppel and Frank Diventi.

Working with John was challenging, even during Army-Navy. Some days he showed up in a mood, set off maybe by traffic, the location of his parking spot or something he heard on the way in, perhaps an outrageous comment by a boneheaded coach or, more likely, conference commissioner. Some days, he simply took delight in keeping the little guy with the glasses on edge – or, if you will, on the brink. And some days, in either case, he delivered an all-time moment in my career, if not his.

In 2005, after being slighted by his alma mater before a Navy-Duke encounter in Durham, N.C. – John was a harsh critic of the school’s president – he was justifiably upset. Obviously bothered by it throughout the game, John, who was partial to the Mids anyway, became especially invested in the outcome.  

With just over three minutes left, the Blue Devils scored a touchdown to draw within a two-point conversion of tying the game. They did on the ensuing pass, though it appeared that Duke’s receiver clearly pushed off the Navy defender to make the catch. An obvious offensive pass interference, it went uncalled by officials.

John was incensed. He slammed his fist against a side window of our booth. No psychologist, but also no stranger to outbursts of my own, I’m convinced he was venting pent-up emotion as much as he was reacting to one play. In my headset, against the rattling of metal blinds from his blow, the next sound I heard was an F-bomb.

“F*****g refs!” he blurted out. 

Stunned into silence for a beat or two, I looked at Omar Nelson, who by then was the third man in our booth, and simply carried on. John laid his headset down, left us to find Navy athletic director Chet Gladchuk and offered his resignation. Chet rightly declined to accept, citing the goodwill John had accrued over the years as one of the Naval Academy’s most vocal public advocates. 

As all of that unfolded, the Mids marched down the field and won the game. A week later, John was back with an apology in time for a win over Air Force. 

A few years earlier, during a lull on a seemingly uneventful afternoon, I read a live ad to promote a contest that culminated in an all-expense paid trip to the Army-Navy Game. 

“How is the winner getting there?” John asked, before turning to our producer Frank Diventi and mouthing something unheard on air. He wanted to know if a certain airline was a sponsor.

Confused, Frank shook his head. John saw it as his cue.

“Well, let’s hope it’s not US Airways,” he chuckled, adding a crack about their flights being routinely off schedule. Not that he would know; John dreaded flying.

Soon enough, we got word: US Airways was a sponsor. A big one, in fact. The afternoon was suddenly eventful. 

Yet, days later, John met with the company’s rep – I imagine regaling him with stories from his season on the brink with Bobby Knight and signing a book or two – and saved the sponsorship he had imperiled.

Not that John was one to shill if he ever thought doing so would betray his journalistic oath. Journalism wasn’t just what John did. It was his religion, and a subject I always loved hearing him wax on about. 

Bob Woodward. David Maraniss. Scott Price. Frank Deford. Dave Kindred. There were others, no doubt, but these names I distinctly remember him invoking when describing reporters he admired most. Mention of Woodward was made while imitating his mentor’s voice.

John was connected. In the radio, television and print worlds and, as much, in the sports world. John was also a connection. To all those worlds for someone like me, a young broadcaster aspiring to someday graduate from baseball’s minor leagues and basketball’s mid-majors. 

I know he tried like hell to make that happen sooner than it did. As much as John challenged me, he championed my cause to anyone who would listen, and some who wouldn’t. When needed, he offered his best counsel and did his best to improve my sometimes shaky confidence.

In the summer of 2001, after hearing my frustration over a blistering critique I had received from a big-league announcer, John initiated contact with a mutual friend, a much more renowned baseball voice who was one of my mentors. He knew I needed a pick-me-up, and made sure I got it. 

John was also, as others have said and written, complicated. During the summer of 2011, he again left our booth, this time giving Chet no chance to convince him to stay.

He had long sought to produce an Army-Navy documentary based on “A Civil War” but lacked the funding. When CBS approached the academies to shoot its own doc and they agreed to it, John felt (and wrote) that he “had no choice” but to leave. 

Maybe he believed that Navy should have done more to back his effort. Maybe he couldn’t bear to have a press box seat to watch someone else film the movie he dreamed of making. Probably both.

Around the same time, John also quit the Patriot League package and we fell out of touch. As much as I think he should have handled both situations better, I know I could have too. It was complicated.

John would later join Army’s radio team – his love for both academies was equal – and eventually return to Navy’s. We even reconnected, if only to text sparingly.  Checking my phone, I am surprised to see that six years have passed since our last conversation and two have gone by since our last exchange of texts.

Throughout the day and night, I’ve received messages from long-ago Navy friends and peers, some of whom wrote that I was the first person they thought of as news of John’s death broke. It means a lot – more each time I recall another memory of our time on air, and on the road.

I also got a call from someone who said the same. It was that mentor, the one John had asked to lift my spirits way back when. I expressed what he and John meant to my career, and that I’ve never forgotten it.

He asked how long it had been since John and I last spoke. Too long, I said, adding my regret and wishing I had made the time to reach back out and tell John what I just told him.

Joined for Army-Navy by the late Naval Academy graduate, Sen. John McCain.

Thanks for reading. Please follow me on Bluesky and Instagram and read my other written for Boston’s 98.5 The Sports Hub and Medium.

A specialist on stand-by for the NFL, seeking another shot at a dream

By Bob Socci

The carry-on sat in a corner of a closet, out of the way but always at the ready, waiting on a call that could come at any time or never at all. Half of the suitcase was packed with football pads and cleats, leaving room for a couple of outfits and toiletries that Tucker Addington could hastily stuff inside in case the phone rang and he had to zip off to the airport.

No stranger to the quick getaway, Addington knew the drill well. If and when a team beckoned, he would likely have little notice to catch his plane, probably out of Austin-Bergstrom International. San Antonio was closer to home in New Braunfels, but Austin offered more direct flights. He would need  about an hour to get there by way of I-35 North. So he wouldn’t have long for ‘goodbye’ – and they for ‘good luck’ – before leaving wife Kensie and their three kids. 

This is what life is like on stand-by for the NFL, longing for an audition on the league’s ‘workout circuit.’ You wait and wait for teams to come to you, understanding that they can’t wait for you to get to them.

“Sometimes it’s a last-minute notice kind of thing. Somebody’s either (injured) or somebody’s not performing well and (teams) are trying to do a lot moving around,” Addington says. “So you have to always be ready.”

Once out the door, he might return almost as soon as he left. Teams are always bringing guys in for a brief look. Sometimes to update their Rolodex, in the event of injury. Sometimes for an actual tryout. Last year alone, Addington reckons, he  whisked off to “eight or nine workouts.”

Of course, he also might be gone a little longer. There was 2022, when he spent the spring in the upstart USFL, followed by a week in October on the Dallas Cowboys practice squad. And then, best and longest of all, there were his extended stays in New England and Washington, including six games played in back-to-back winters of 2022-23.

If the uncertainty and all the coming and going were enough to turn his world upside down, it was more than okay. In fact, it was exactly how he wanted it.

Addington is a long snapper. Upside down is literally how he yearns to make his living, performing a singular skill unique to football. Bending over to grip a ball out of a wide stance, he can fire it backwards between his legs, hitting a target as tiny as a holder’s hand being held out eight yards behind him, or a punter’s belt buckle fifteen yards away. 

In the more than four years since graduating from Sam Houston State University, he’s become one of the best in the world at it. Unfortunately, there have almost always been at least 32 others considered more worthy of full-time NFL gigs. So for most of that time, Addington has kept his half-packed bag close by at home in South Central Texas, while honing his quirky craft, eager to answer the call whenever and from wherever it originated across the league.

Earlier this month, his phone rang and a familiar area code popped up on screen — 508. The call was from Foxborough. The Patriots had dialed his number before. In fact, they had given Addington his first pro workout several years ago. They got in touch again the following season, when Joe Cardona, their long snapper since 2015, got hurt. 

Addington was signed to the practice squad, then promoted to the active roster. He debuted on Christmas Eve of 2022, played in the final three games of the season and remained in the organization through mid-August of 2023. Let go, he later joined the Commanders and appeared in three more regular-season games.

On Aug. 5, the Pats brought Addington in again to relieve Cardona, who was dealing with a minor injury, and serve as a long-snapping equivalent to a (training) ‘camp arm’ at quarterback. While they have split snaps on punts, field goals and extra points in practice, Tucker has delivered 17 snaps to Joe’s three in two preseason games.

Yet, almost certainly, Cardona will be in Cincinnati when the Patriots play their first regular season game on Sept. 8 while Addington will go back to playing the waiting game. That’s not to imply that he hasn’t been competing for a job.

Past impressions on teammates, coaches and front-office types led to Addington’s latest opportunity in New England. By performing and (equally important) handling himself well, this one can lead to another.

“The ability to get around might help me out in the long run,” Addington says. “I’m getting to meet these guys and create relationships and bonds, whether it’s with front office people or players.

“I’ve met some awesome people, had some great times and just continued to be disciplined, working on my craft. (I’ll) see where it takes me. If the right team comes, the time will be there and I’ll be ready.”

Specialists are a subset within each NFL team. There are only three of them during the regular season – the kicker, punter/holder and long snapper. The Patriots currently have five, including Addington, Cardona, kickers Chad Ryland and Joey Slye and punter Bryce Baringer.

They usually practice separately from teammates, and often are inseparable outside of practices. When a new member is introduced to their small circle, he must earn trust and create chemistry instantly. 

Addington has done it with veterans like ex-Pats kicker Nick Folk and Washington punter Tress Way, who’ve combined for 28 NFL seasons; Ryland and Baringer as rookies in New England; and Slye as both a Commander and Patriot. He also gets along great with Cardona.

“We add Tuck in and it’s like nothing really changes,” Baringer says. “We’re friends, we work really well together and it’s just fun to be able to go through this process with one another.”

Beyond personal feelings, Baringer sees this summer in particular as a benefit to Addington’s professional prospects. Though very familiar with his fellow specialists, he’s had to adapt to a different scheme under new special teams coordinator Jeremy Springer and assistant Tom Quinn.

“The fact that he can come here, play, get a good amount of film and also still be able to talk and learn from Joe is huge,” Baringer says. “I think it’s also good for him that he’s learning a different type of scheme with different coaches than were here in the past, because this year compared to last year is a little bit different, especially from a snapper’s perspective.

“(He) understands why he’s here, understands his ‘why,’ and he’s taking full advantage of it. And he’s snapping really well.”

No one on the team works more closely and extensively with long snappers than Baringer. Since his rookie spring of 2023, he’s handled hundreds, maybe thousands of snaps in practices and games – enough to instantly discern a delivery by Cardona from one by Addington.

“It’s not saying one’s better than the other, but you can just tell the difference, you can feel the difference,” Baringer says. “The timing is a little bit different.”

That timing is roughly equivalent to the snap of his fingers on a field-goal try. Between the snapper’s release and kick of the ball, Baringer must catch it, spot it exactly where and how the kicker prefers and ensure that its laces are facing the goal post. The entire operation averages 1.3 seconds.

 “Our job is so attentive to details, even just the little things,” Baringer continues. “We do a lot of snap (and) holds. We do a lot of just punt snaps. We do a lot of work together, so you build that connection.”

Snaps reach him at different spin rates and, thus, a varied number of rotations. For efficiency’s sake, Baringer wants to receive the ball with its laces already out. Knowing – really knowing – the snapper tells him where his hands should be relative to his body when he catches the snap. Any adjustment he makes can be a matter of centimeters.  

“(One guy’s) miss is in this spot with these laces, where another guy’s miss is in a different spot with a different type of laces,” he explains. “And then you get into the real-nitty gritty of catch location for me, where depthwise at eight yards I have to catch this guy’s snap for him to have perfect laces. Because it’s all based on his rotation.”

Every time he spins a ball to Baringer, Addington is aiming for what can be most elusive to aspiring pros and under appreciated by the general public: consistency.

“I think consistency is probably something that’s hard to explain to people. They’re kind of like, ‘Oh, you’re just throwing it between your legs,’” he says. “But with variations in spots, especially on field goals and even punts, you can take punters off their line (and) you can mess up a kick. At the end of the day, (people) say, ‘Oh, this guy missed a kick’ or ‘he went 2-for-4.’ That’s when we have to either step up or the people that are actually watching the position understand that was the long snapper’s fault.”

Before he started tossing footballs backwards, Addington was a junior high quarterback in New Braunfels, a growing city of 104,000 deep in the heart of Texas. Devoted solely to the state’s unofficial official sport, as a football-only athlete at Canyon High School, he moved to tight end on offense and played linebacker on defense. 

As a sophomore, his coach JJ Sierra assigned him a third position.

“(He) said, ‘Hey, you’re going to be the long snapper,’” Addington smiles. “I said, ‘How do you do it?’”

Sierra demonstrated the basics and advised him to simply “Let it loose.” The more he did it, the more he liked it, especially after realizing that long-snapping could be his means to an education. Addington is a triplet, raised by a single mom.

“Going into my junior year of high school I found out about scholarship availability,” he says. “I thought, ‘Let’s try to get to college somehow.’

“Obviously, I love the game of football. But I fell in love with the art of long snapping.”

The owner of the gym where he trained, Aldo DeLaGarza, introduced Addington to a former linebacker and long snapper at Sam Houston State, Doug Conrey, who founded the Texas Long Snapping camp in 2011. Addington snapped for Conrey at Aldo’s Gym. Impressed, Conrey took Addington on as a client.

They drilled down on techniques, from hand position to follow-through, transforming Addington from an accidental snapper to a college prospect. Training under DeLaGarza and Conrey, he eventually grew to 6-2, 230 pounds and followed the latter to Sam Houston State in Huntsville “on a full athletic scholarship!” as his mother Heather Addington wrote in a testimonial for Aldo’s website.  

Addington played 48 games for the Bearkats, earned a bachelor’s degree in Kinesiology and enrolled in a master’s program at Texas A&M Corpus Christi. He also interned in physical therapy at a hospital in Huntsville, before taking a part-time job as a patient care technician at the New Braunfels Regional Rehab Hospital. 

Married with children – oldest daughter, Payton, was born when Addington was a college sophomore – he kept snapping and started teaching too. If he wasn’t running patients through exercises, Addington was working with youngsters at Texas Long Snapping or practicing in the backyard, where he snapped into a net while Payton and her sister Presley retrieved the footballs.

Well over a year after his last collegiate appearance, Addington heard from the Patriots. 

“It honestly kind of kick-started my transition back into football,” he recalls, noting that he left the rehab hospital to commit more time to football. “I said, ‘Maybe they didn’t forget about me.’”

But without a callback from the Pats or overture from anyone else into 2022, Tucker and Kensie did some hard thinking. He came close to giving up on a possible playing career. Then the USFL came along.

His agent persuaded Addington to buy a ticket to San Diego and take one more shot at a league tryout camp. He nailed it and on March 10, 2022, while alongside Kensie and their two girls, learned that the Houston Gamblers had chosen him in the USFL’s supplemental draft.

Nine months later, he was summoned back to Foxborough. Cardona had reportedly suffered a partially torn tendon in his foot at Arizona, so the Patriots signed Addington to the practice squad as insurance. The following weekend, amid Cardona’s 127th consecutive game at Las Vegas, his condition worsened. His season was over.  

Promoted to the active roster on Dec. 23, Addington dressed out the next day for a matchup with the Bengals. He was the first player to emerge from the locker room in full uniform for warmups and went on to snap eight times in a heartbreaking 22-18 loss; six on punts by Michael Palardy and twice for PAT tries by Travis Vizcaino. That night, he flew home for Christmas.

Tucker and Kensie have since welcomed son Luke to the family, as Dad has continued to go where needed as a part-timer in hopes of full-time duty. Just in the past year, he’s gone from Foxborough to Jacksonville to Washington, paying other visits in between, to Foxborough again.

“I think a lot of people slide under the radar, but if you keep pursuing things and (are) grateful for the opportunities you get and keep working, keep training…” Addington’s sentence pauses, as his thoughts shift to his young family. “I’ve got three little kids at home, my beautiful wife at home, so it’s been a little different road for me than others. It’s not for the faint of heart.”

Speaking softly through his well-groomed, light brown beard after practice on the final Tuesday of training camp, Addington credits the so-called workout circuit for hardening his resolve. He also believes each experience transitioning between holders only makes the next one more seamless. 

But more valuable than what he gains professionally is what he reaps personally. 

“Man, it’s gotten me more than I can ask for: friends, relationships and where I’ve been now, a couple of different teams, floating around here and there,” Addington says. “I’ve been able to play six games in my career thus far and I’m excited to see what the Lord has in store for me going forward. 

“If you prepare and stay consistent, you’ll be amazed at what actually happens. I think some guys get down sometimes and, as you’re away from a (team), kind of start to wonder and think, ‘What comes tomorrow?’ In all reality, tomorrow isn’t guaranteed, so let’s work today and see what happens next.”

The following afternoon, at the end of a Wednesday practice, Addington and Baringer got together for some extra snaps. The next day, they made time for more of the same during individual-drill periods. 

Flanked by one group of defensive backs reacting to passes and a second group refining technique for jamming receivers at the line, Addington put his head down and hands on the ball and fired away to Baringer. 

In the middle of a practice field, they looked like a pitcher and catcher in the center of a diamond. Addington stuck with fastballs, trying to locate within Baringer’s strike zone, from mid-thighs to right in the ribs. They continued for a good 10 minutes. 

Chances are, Addington will soon be snapping again into his backyard net in New Braunfels, his carry-on stored in its corner of the closet and his phone’s ringer turned up to its loudest volume. Like every time before, the next time it sounds, he’ll be ready to go.

“Whatever comes my way, opportunity wise, I’ll be grateful,” Addington promises, “and take all I can from it.”

This story was originally published at www.985thesportshub.com on Friday, Aug. 23, four days before the NFL’s deadline for teams to announce their initial 53-man, regular-season rosters. Tucker Addington was among the first players informed of his release.

‘Operation Tortuga’

Of the many amazing memories from our family’s recent Costa Rican adventure, nothing tops the experience of a mother’s fight to save the future.

Our rendezvous was set for 9:30, in the black of the night. Few instructions were given.

Wear dark clothes. Keep quiet. Wait by the oceanside edge of the property until the guide arrives.

All of it seemed clandestine. As if we were on a mission in need of a codename. 

There were nine of us, four adults and five kids; two families in a foreign land. Armed with flashlights and headlamps, we arrived at the appointed meeting place early. Within minutes, a silhouette appeared out of the darkness. Our objective was in sight, he told us, far sooner and, hence, much closer than anticipated. 

With little else said, we fell into a jagged line, not quite single file, and started down a dirt path. Ricardo, the man we’d paid to deliver us to a first-in-a-lifetime experience, led the way forward. Roughly a quarter mile out, we reached a break in a natural fence of palms, roots and vines. 

Our first careful steps were complete without incident. No one had stepped on a snake nor encountered a jaguar nor any other dangerous lifeforms inhabiting the area, where exotic animals overwhelmingly outnumber people.

Lights out, Ricardo brought us onto a beach of dark volcanic sand. Several other groups clustered nearby, huddling around their own guides. They too were dressed for the mission.

The roiling Atlantic slammed ashore. Lightning flashed in the distant Northern sky. More eerily, vultures glided directly overhead. 

A hundred feet or so away, the reason we were here was entrenched and entranced, hurriedly working to prolong its very existence. In the next hour, it would mesmerize and inspire us. And leave us with an indelible memory from an adventure rich in natural wonder.

We had been in Costa Rica for nearly a week. Setting out from San Jose, my wife and I, our son and daughter, and our travel companions, a family of good friends, first traveled into the tropical rainforest enveloping Sarapiqui. For two days, we crossed suspension bridges, listened to howler monkeys, marveled at spider monkeys swinging between branches, observed sloths hanging from branches, admired birds in colorful arrays, looked out for poisonous spiders and frogs and even spotted a sun-bathing caiman, apart from reptiles shaded by plants and trees.

At rest, we indulged in fresh fruits and vegetables and I engaged in the diligent study — more social than scientific — of Costa Rican craftsmanship served mostly in 12-ounce bottles. The most basic and prevalent being Imperial, a garden-variety equivalent to the pasteurized concoction introduced in the States by Adolphus Busch. Luckily, like the wildlife itself, there were also rarer, more aesthetically pleasing alchemies to be enjoyed on every leg of our journey.

Clockwise from top left: An iguana, bird dining on bananas, poisonous green dart frog, our group crossing a suspension bridge at La Selva, Jesus Lizard (it walks on water), spider monkey, a caiman (as seen from the suspension bridge) and a bare-throated Tiger Heron.

The next of which required traveling by van, bus and boat. 

Our travel itinerary was plotted by Tony, husband and father in the second family of our group. Years ago, before Boston became his home and teaching his occupation, Tony was a guide in his native Costa Rica. He knows where to go; and what to stay away from. He speaks the language, from slang to dialects, and reads the landscape of every place and situation. 

So far, he delivered with flying colors to match the macaws squawking from treetops. We were just getting started.

On the fourth morning of our trip, we woke extra early. A privately-hired driver, Freddie, took us about an hour away to catch a bus chartered by our next hotel located along the Caribbean coast. We rode past Limon and the nearby Banana plantations and packing sheds for companies like Chiquita and Del Monte. A guide along for the ride narrated a history lesson. About the produce companies. About the railways built to move their fruits. About the immigrants hired to lay the tracks. About past exploitation, when this lush land was labeled a ‘banana republic.’ 

Along the bumpy way, we paused for a roadside peek at workers preparing bananas for export. Large batches of green bananas wrapped in blue plastic bags were pulled manually on lines hanging from a system of orange tracks into the shed for inspection. The narrator said the young men towing the dozens of bundles weighing hundreds of pounds at a time, with long lines looped around their midsections, walk as many as 30 kilometers a day in the sweltering conditions. 

Inside the shed, bananas were washed and inspected. The good ones would soon be shipped to other countries. They, like pineapples, rank high on Costa Rica’s list of exports. But they’re not at the top. Number one is medical equipment

A banana tree, mini pineapple and a young man hard at work on a banana plantation.

As for what enters Costa Rica, its most mutually-beneficial imports, if I may, are people like us: tourists. The country’s ecotourism ‘industry’ dates to the 1960s, when about a quarter of its territory was still in its natural state. In the decades since, it became the first tropical nation in the world to reverse deforestation. According to the World Bank, its “tropical rainforests now cover close to 60 percent of the country.” In 2019, per The Borgen Project, Costa Rica attracted 3.4 million tourists.

That was pre-COVID. Whatever the post-pandemic numbers wind up in 2023, we’re lucky to be counted among them.  

Next stop was near the village of Tortuguero. Getting there required another change in Caño Blanco. That’s where we got off the bus and onto a boat that ferried us north for the next two-plus hours. We ended up amid the nearly 47,000 protected acres of the Tortuguero National Park, where the relationship between unblemished earth and economic opportunity is obvious.

Established in 1970, the TNP includes more than 20 miles of undisturbed beaches on the Atlantic. Several hotels and eco-lodges are close by. The nearest town, Tortuguero, has a population between 1,200 and 1,500. Walking the 1.2 kilometers of its main path through town, where an ATV was the lone motor vehicle spotted, we witnessed how rigidly conservation laws are enforced and observed. Receptacles for waste were numerous. A large recycling center dominated the central part of town. Locals moved around on land by bikes and two feet. 

Others stood ready to attend to the needs and wants of their globe-trotting guests drawn to the area’s natural surroundings. Upwards of 100,000 of them — from birders to botanists to those of us who barely recognize the difference between the two — annually visit TNP and its neighboring spots (in non-pandemic times). Our excursion introduced us to families from Great Britain, Germany and Switzerland.

Eventually, we met one of the thousands of other visitors who come each year from distant lands by sea. They scull through ocean waters from feeding grounds as many as 1,600 miles away, their single-clawed flippers beneath a hard shell propelling them, naturally, at a tortoise’s pace of 1.5 to 6.5 miles an hour. All to nest their next generation.

Tortuguero is considered the second-largest green sea turtle rookery in the world and most important in the Atlantic. According to published estimates, between 20,000-to-30,000 females annually swim ashore to nest around 100-to-110 eggs each. ‘Turtle Season’ officially runs from July to September. We showed up with four days left in June.

We boarded a boat in Caño Blanco for the long but fascinating ride past Tortuguero (center) to the Tortuguero National Park (entrance in lower left).

The first two of our three days there, we filled the hours with pre-breakfast and late-afternoon wildlife tours, family pool time, trips into town, beach walks and three squares of terrific local fare. The tours were guided by a young man named Abel, whose encyclopedic knowledge of the local ecosystem was complemented by his comedic timing and eye for spotting. From a boat, he pointed out birds and lizards and much more in every direction. 

Only once did he have to correct himself; after mistaking a mostly-submerged crocodile for a caiman. Thankfully, that was from a distance. 

My closest unwanted encounter occurred while in Tortuguero. Thinking as I do, leading a sporting life, I wandered off the main walkway in search of the town’s soccer field. Drinking water from a coconut in one hand, I pulled my iPhone from a pocket with the other, then stepped through an opening in a chain-link fence. 

A great shot to post on social media, I thought. A field of dreams near an ocean paradise. 

But before I could shoot, a man cried out.

“Aqui! Aqui!” he yelled, repeating himself several times before approaching with a half-smile at my obliviousness. “Aqui! Aqui!

Recognizing I spoke no Spanish, he switched to English. 

“There, on the gate,” he pointed, breaking out a full, ear-to-ear grin.

A bright neon green vine snake had woven itself onto the fence’s gate. Don’t be afraid, he advised; it prefers eating mice over biting humans. Besides, he quipped, if I did get bit, the medical clinic was next door.

Of course, I thanked him profusely. Of course, I took photos of the field and the snake. And, of course, I called my daughter, who’s fascinated by serpents (she has a pet corn snake), over for her own look. Selfishly, of course, I wanted a witness to verify the grave danger I’d survived.

We turned back to the town center. Suddenly and sharply attuned to surroundings, I made another discovery on my own, spotting a small sign resting against a fence post. 

“La Finca Brewing Co.,” it read. At this point, I thirsted for something stronger than coconut water. I also had more research to conduct. Behind the counter of a small stand, the kind of laid-back, friendly guy you’ll find in any respectable tap room in New England explained what he had: an IPA, a tropical with passion fruit and a summer ale. One was too heavy for the time of day. Another too fruity for my tastes. So, in the spirit of the season, I went with “Colono Real.” 

Super bien! One of the best I’ve had. I asked if he was selling any merch. He wasn’t, not there anyway. Still, he offered a souvenir to go with the bottle, handing me a sticker. 

While locals sold coconuts (top left) and crafted necklaces from almond shells (bottom left), I wandered toward a soccer field and nearly met my demise before my next great discovery.

The following morning, my wife and I went to the beach to watch the sunrise. Expecting a sight to behold, it was still stunning. Equally striking as we walked along the shoreline were the numerous tracks imprinted in the sand. Coming up from the water line, then looping down toward the surf. If I didn’t know otherwise, which is to say if I was by myself, I would have thought at first glance: “ATV tire tracks.”

My wife knew better: Turtle tracks! She saw some the day before. Now there were many more. The turtles were already making landfall, ostensibly seeking the right spot to nest their eggs. 

Hoping to see one in the act, my wife hatched a plan: hire a local guide out of Tortuguero to help fulfill our quest. After a quick review of Trip Advisor, off we went to see Ricardo. He agreed to lead us.

Details were hashed out in Spanish; my wife is fluent. The payment was made in dollars; the price was fair for nine of us. That night, we dined on a floating restaurant. Shortly after docking, we regathered on the outskirts of our hotel’s grounds. “Operation Tortuga,” let’s call it, was about to commence.

Ricardo had cautioned us. We might have to walk far and wait long to see any activity,. We might not see any at all. We got lucky. 

A turtle hadn’t just come onto the beach nearby; she was burying her first batch of eggs there. Each mother deposits her eggs in several trips ashore over the span of several months. 

Odds of survival are long. The eggs must incubate, undetected by animals, including dogs, for two months in the warm sand. Any hatchlings must then make it to water. Mothers themselves are in constant danger. Every action has to be stealth, lest they be discovered by jaguars or human poachers.

As Ricardo led us onto the beach, he gave explicit directions. He was adamant, albeit in a loud whisper. Move very slowly and silently in small groups. Keep a respectful distance. Get a good but quick look, then give way to the next group. Rotate constantly. No lights. And absolutely no picture-taking.

Before anybody got to glimpse the turtle, we had to wait for her to fall into a trance while birthing her eggs. Only then, we closed within eyesight of her, as the burial began. Ricardo orchestrated our movements, making sure the kids got the best views. An accompanying guide focused a single red light on the the turtle’s hind flippers and tail. They waggled furiously. 

Every so often, she paused, as if sensing her audience. Once her eggs were covered sufficiently, the turtle dug a decoy, creating a second hole to confuse the nosey threats sure to soon investigate clues of her activity. As she furiously clawed with her fore flippers, sand sprayed backward. 

After a while, Ricardo ordered us to retreat. He didn’t want us startling the turtle as she turned around to slowly crawl from whence she came. The whole set of circumstances, including, by then, a sprinkle of rain, increased suspense. 

Time slowed. She swung herself around, appearing in full view. Ricardo guessed that she was five feet long, maybe 700 pounds heavy. Both seemed exaggerations. A typical adult green turtle measures three-to-four feet and 300-to-350 pounds. Some reach Ricardo’s suggested length and weight. This one was probably in between.

As my wife and I discovered, green sea turtles came ashore a few days ahead of the season’s official opening day.

The next 10-to-15 minutes elapsed as if excerpted from a movie. A John Williams score would have been perfect. 

Here were two families forming a wide corridor with other groups; appearing as shadows by the seaside, anxiously, nearly breathlessly, eyeing a mother’s struggle as she passed the point of exhaustion. Propelling herself by doing a breast stroke in the sand, she rested every few feet. 

We had to resist the strong urge to cheer her on. It didn’t prevent me from imploring her in my head. You can do it! Let’s go! Almost home! 

The beach was her Boylston Street. The water’s edge her finish line. She got closer; then stopped. Got closer; then stopped again. Until, finally, she reached the tide — or it reached her. 

With the first splash onto her shell, we all exhaled (imagine how she felt!). Seconds later, when she was finally, fully submerged, we all cheered. My daughter, I’m quite sure, was the first to clap.

We had already seen so much on our trip. There was so much more to do. But great as it all was — and it was all great — none of it topped those final seconds of that turtle’s return into the Atlantic.

When the sun rose on the following morning, we backtracked by boat, bidding Abel adieu in Caño Blanco, boarded another bus, reunited with Freddie and continued our odyssey to Arenal. Two nights at a luxurious resort at the base of a volcano that fed an intricate system of natural hot springs in which we swam and sipped drinks awaited. 

So did more exploration, including hiking to and swimming under a waterfall. And more eating in abundance. All amid plush, dense green forestry and exotic blends of red and yellow and violet flowers.

At last, we had to say goodbye. Freddie drove us back to San Jose on the eve of our flight out of Costa Rica. A college friend and his wife swung by our hotel. Aside from Facebook photos, we hadn’t seen each other in 30-plus years. We ate, told stories and laughed.

Social media should allow us friends to stay in touch. Future travel could bring our family back to Costa Rica, in all its beauty and depth, to its tipico foods we so enjoyed and its people who were so welcoming.

Nothing, however, can offer answers to the questions I am left wondering. About a mother turtle and the future she fought so hard to preserve.

We look forward to returning to Costa Rica, a country of breathtaking natural beauty, amazing wildlife, warm and welcoming people, terrific food and, as my research verified, great brew.

Picking up where I left off

A love of sports drew me closer to my parents. A love of music draws me closer to my children, who’ve inspired me to make peace – and hopefully harmony – with one of my greatest regrets.

My son and I were listening to classic rock the other day, as we usually do when he’s riding shotgun, less than his arm’s length from the radio tuner.

Only 12, he has the musical taste of much older generations. Same with his preferred mode of listening as we ride: frequency modulation over data compression. FM over iTunes.

Typically, we bounce back and forth between presets, deciding which one of two favorite stations to settle on, one song at a time. If our vote is split, his choice wins. At this moment, as we head to a nearby park to unleash our dog and walk in the woods, he stops on “Pet Sematary” by The Ramones.

I’ve never been a punk rocker (shocking, I know), much as I appreciate the music’s influence on artists more to my liking (Bruce Springsteen, for one). The number of songs I recognize by The Ramones and The Clash — two punk groups I’m most familiar with — would fill out a “Two For Tuesday” and, at most, “Three For Thursday.”

But in the few minutes of this short drive set to, as I’m about to learn, a characteristically brief song by The Ramones, I’m enlightened. My son tells me their “Pet Sematary” was written for the film adaptation of Stephen King’s “Pet Sematary.” Perhaps I should have known.

Then he adds a tidbit I had no reason to know: “The Ramones’ longest song lasts only about four minutes.”

It’s true, I confirm, give or take a half minute. “Bye Bye Baby,” from first to final notes, is timed at 4:35. Close enough.

The next day, he awakens and enters the kitchen as I finish school lunches while shuffling a playlist over the Bluetooth speaker on our kitchen counter. “The Boxer” by Simon & Garfunkel comes on. As Paul and Art sing, their lie-la-lies are met by echoes of loud smashes.

Again, the boy drops knowledge on his old man.

“Did you know that drum beat was recorded with an elevator shaft?” he asks, popping a plain bagel into the toaster oven.

“No way!” I exclaim.

Yes way, I soon learn, after picking up my phone and googling: “the boxer drum elevator shaft.”

It was recorded on a Sunday in an empty building along New York’s East 52nd Street. Drummer Hal Blaine hammered away in a hallway; the percussion picked up by a microphone placed in an elevator shaft, its doors propped open. Another fun fact from a kid full of them.

My son has a photographic memory. What he reads, he retains. It’s also “phonographic.” What he hears, he records.

It showed itself in elementary school when he flipped the pages of his many DK and Smithsonian books, consumed history videos and committed minutiae to memory. At 8 or 9, he came up with one of his first fun facts, pointing out that the Hundred Years’ War is somewhat of a misnomer. Did you know it actually lasted 116 years?

Now a middle schooler, music is his jam. He plays piano, fiddles with a violin, and occasionally picks at an electric guitar. He memorizes trivia about bands, musicians, and vocalists; albums and songs; genres and sub-genres. He links singles to albums, guitarists to riffs, and drummers to solos like I used to pair shortstops with double-play partners, outfielders with great catches, and pitchers with masterpieces.

Guitar heroes are for him what sports stars were for me at the same age. And just as games brought me closer to my parents, music has made us tighter.

My late mom often sat by my side watching baseball on TV. Rusty Staub, ‘Le Grande Orange,’ was her favorite. One of mine too. When I asked to dress like other favorites, she found a pattern, bought fabric and sewed me double knits. At a time when replicas were rarely for sale, I played backyard ball decked out like Johnny Bench, Reggie Jackson and Dave Cash (I already had a store-bought Tom Seaver uniform).

The subject of sports, especially talking baseball, broke the ice between my dad and me during his rare breaks from working day and night. Asking about the Yankees of his youth, then laden with Italian-American stars, always exposed a soft spot beneath the usually hard exterior he wore in my youth. I treasured those moments. So much so I couldn’t bring myself to declare Willie Mays, and not Dad’s favored Joe D, the greatest ever.

Although my mother didn’t raise a future big leaguer, she made sure I looked like one.

My son is much less of a sports fan. Sure, he wants the Patriots to win, and sometimes he joins me on the couch when there’s a game on at night. But music is our go-to conversation starter. In place of comparing center fielders, we contrast lead guitarists. In the car. Around the house. While trailing the dog on nature’s paths.

The same thing, though not the same songs, has also drawn me closer to my daughter.

Like her big bro, she takes piano lessons and strums a guitar, along with a ukulele. She sings and dances. She sometimes sits at the keys and composes tunes. And she ofttimes replaces lyrics of popular songs with rhymes of her own imagination. Each one is a wonder, if not a commercial hit.

Unlike her big bro, she prefers downloads over tuning in when we’re in the car. She and I used to be playlist shufflers during our half-hour commutes to school in the fall. Around December, we changed our tunes to the soundtrack from Hamilton.

Playing and replaying it, her every-morning instruction became my automatic assumption. She no longer had to ask me to hit play. It became as instinctive as shifting from park to reverse. Mile by mile, track after track, she sang along in the back seat. Sometimes, I joined in.

Two Thursdays ago, we finally saw Hamilton in person at the Citizens Bank Opera House. All evening, my eyes shifted from my daughter to the actors on stage; her face aglow as she lip-synced what they were singing.

All of it was unforgettable. Those songs now play themselves inside my head. Any hour. Any order. And any time the music starts up again, my mind is filled with images of that night.

For weeks, my daughter sang the Hamilton soundtrack during our daily commutes. Two Thursdays ago, she finally got to sing along with the show’s cast on stage.

Neither child is a musical prodigy destined for Berklee, the New England Conservatory or “American Idol.” Getting them to practice piano sometimes requires a gentle nudge, if not a push. If not, the fail-safe ultimatum of “No screen time!” But when they do, the house comes alive again with the sound of their music. To these ears, it’s always fabulous.

Hopefully, they’ll keep playing. The importance of creative outlets is unquestioned. So is the realization of what’s lost when the music stops. I know because I gave it up.

As a little kid, I had a different outfit for every day of the week. One, as relatives reminded me well into my adolescence, was a country-music getup: cowboy hat, vest, boots and toy six-string. While my father was partial to Eddy Arnold and Chet Atkins, I paraded around the house, pretending to be Johnny Cash or Glenn Campbell.

I outgrew that costume but held onto the guitar. My parents signed me up for Saturday morning lessons with a longtime teacher in town. He taught me some notes to cover hits like “On Top of Old Smokey.” But, regrettably, I didn’t stick with it long enough to learn “Smoke on the Water.” Games got in the way of lessons. Baseball practices took precedence over practicing chords. Then one day, the music died.

Decades later, if given one do-over in life, I’d never put that guitar down. And if offered a second mulligan, I’d pick up a second instrument. Probably piano.

The sports-obsessed child I was had no idea the adult I became listens in envy every time I take in a live performance. A stadium concert. A soloist at a neighborhood pub. A subway busker. Or a loved one beside a bonfire.

Several years ago, my wife and her father, once a collector of acoustic guitars, picked at the strings on Maine’s Hills Beach, accompanied by the crackling of logs aflame under a summer sky. On a more recent vacation, my daughter did what I’ve long thought to be the coolest: she sat down at a grand piano in a hotel lobby and started playing. If only I could do either.

Some of my friends have called World Series and Stanley Cup Finals. That’s great and all. But more impressive to me is they’ve also entertained on stage. At a Manhattan piano bar. And just off the Vegas strip. Me, I’ve never done karaoke.

Occasionally, however, I have grabbed my father-in-law’s old Jose Ramirez model and opened my Yousician app or tried YouTube tutorials. More than once, I vowed to learn the basics at least. It never happened.

But this winter, our mutual interest in music led me to search for documentaries to watch with my son. With each, I became further fascinated with the styles and stories of artists who make strings sing.

Following one of the docs, “Guitar Stories,” featuring old Dire Straits mates John Illsley and Mark Knopfler, my wife and I decided to sort through her dad’s collection. His guitars were weathered. Some had no strings attached. Some had cracks in their wood. But thankfully, some were still playable.

I took two of them to a tech at the local Guitar Center. He noticed one’s heel starting to separate and the other’s neck warping slightly. Knowing I couldn’t hear the difference anyway, I had them cleaned up and restrung. They’d be great to keep around our home, I reasoned, in case, you know, anyone wanted to play.

That same week, I was in the Park Street T station after teaching a class at Emerson College. An older gentleman sat nearby on the Red Line’s southbound platform. He was on a tiny folding chair, caressing his acoustic guitar, between a dolly used to cart his gear and a case opened to collect his tips. I complimented his playing — Latin music — dropped a fin in the case and struck up a short conversation.

Waiting on the Braintree train, I mentioned my musical regret and offered an inkling of my growing desire to make that ‘do-over’ a reality.

“Take lessons,” he advised, looking up from under the bill of his Red Sox cap while pausing between songs. “That way, you won’t develop bad habits.”

“Take lessons,” Rafael advised me while breaking between songs.

I heeded his words. Two weeks ago, I had my first lesson. Four chords in a half hour. Last week in my second, I got seven more chords to learn. It’s a start, and as much as I need practice, I love to practice.

Making up for all the lost time is impossible. Finger-picking like Knopfler or playing as well for as long as Johnny Ramone is beyond my wildest dreams. Becoming good enough to one day take a stage somewhere, especially someplace like Manhattan or Vegas, is highly improbable. It’s likely, I’ll always be in the audience.

I’m cool with all that. Just playing what I can already makes me feel a little less unhip. But there are a few goals I believe to be within my reach. Provided I stop the buzzing when my short fingers try to hold the C7 chord.

One, I’d like to master a song — and not ‘Old Smokey’ — well enough to play it by the fire this summer. A huge bonus if it goes for at least 4 1/2 minutes. More importantly, I want to motivate the kids who helped inspire me to pick up the guitar again to never put their instruments down.

And ultimately, I hope I’ll be good enough to be included with their favorite guitarists.

Though old, a new addition to the home office.

Keepers of flame still light a spark.

By Bob Socci

January 31, 2022

After learning a favorite colleague and I have similar pre-broadcast rituals, I wrote about the story tellers and myth makers who helped pro football become our most popular sport and influenced a kid who would grow up to call it.

Millions of miles of NFL history are kept in a vast climate-controlled room at NFL Films.

By Bob Socci

For all but the past few months of my nine seasons as a New England Patriots broadcaster, I kept an admittedly peculiar ritual a secret between me and my playlist, positive that it was exclusively mine.

It’s one of my first acts settling into my seat on the bus before leaving the team hotel on the road or heading to the home radio booth at Gillette Stadium. I pull out my iPhone, insert ear pods and search the music library for one artist in particular.

One composer, actually. Seeking one song, specifically. 

Sam Spence, and The Raiders

Maybe you know his name. If you love football, surely you know his score. 

Probably, you’ve heard it as a drum-beating bed beneath poetry being read by a Philadelphia news legend with the ‘Voice of God.’ 

The Autumn Wind is a pirate

Blustering in from sea,

With a rollicking song, he sweeps along, 

Swaggering boisterously.

So goes the opening stanza of The Autumn Wind, which even to a childhood Raiders-hater, resonates from the lips of the late John Facenda and returns me to the mid-to-late seventies; again a kid dreaming of doing what I’d someday be lucky enough to do.

When I hear the song, I reflect. It’s a reminder as I ready for air that I occupy the seat of a dream fulfilled, in the role of all-time Patriots predecessors like Bob Starr, Curt Gowdy and Gil Santos.

Nerdy, I know. But, that’s me. 

Until early October, I couldn’t imagine anyone else observing a similar game-day rite. 

During the August week of Patriots-Eagles joint practices in Philadelphia, I toured nearby NFL Films.

Few colleagues calling NFL games locally or nationally on radio have done it longer than Kevin Harlan. First hired by the Chiefs in 1985, he’s about to broadcast his record 13th consecutive Super Bowl for Westwood One. 

When Kevin speaks, either thunderously and painstakingly describing a live play or as an interviewee humbly dispensing lessons from a career as full as his baritone pipes, I listen. 

Around the fifth week of this season, Harlan appeared as a podcast guest of the NFL Network’s Rich Eisen. As soon as the episode appeared, I pressed ‘play.’ Halfway through, I discovered I had company. 

Harlan shared some anecdotes about people who’ve influenced his career. One was Steve Sabol, who with his father, Ed, co-founded NFL Films in 1962. Another was Facenda.

“The first real voice that captured my imagination,” Harlan said, while reaching for and fiddling with his phone. He looked down, trying to access something he listens to before every football assignment — on Sundays for CBS and Mondays for Westwood One. 

Then he hit play.

The Autumn Wind is a pirate

Blustering in from sea,

With a rollicking song, he sweeps…

“I won’t get too emotional here,” Harlan gushed, his face aglow as he paused the recording of Facenda reciting words written by Steve Sabol to a song composed by Sam Spence. “When I hear that it just, it just puts me in the frame of mind of doing the NFL…we all feel so lucky and privileged to be a part of this great thing.”

Don’t you know, he was speaking for me.

Facenda’s voice, Kevin explained, was his “first football memory.” Much like the music of Spence was the soundtrack to mine. Lyrical and lyric-less, both take us back in time. We are men living dreams of children.

For me, those dreams flourished first in the finished basement of a duplex in Auburn, N.Y., a small city smack dab in the middle of the state. We lived a half-block from a large park, the Y-Field, where kids convened daily to play the main sport in season. When done for the day, I retreated inside to our downstairs TV to watch the athletes we had just imitated.

On fall Saturdays, following mornings of two-hand touch, I made sure to be back for afternoon college football offerings on ABC. Bill Flemming or Chris Schenkel, then Keith Jackson handled play-by-play. Dave Diles came on with the Prudential College Football Scoreboard. Once he dropped in a Slippery Rock update, we were off to church for 7:15 mass.

Sunday worship started with Notre Dame highlights, hosted by Lindsey Nelson, before moving along to further action with “This is the NFL” and “NFL Game of the Week.”  The latter opened with locker-room scenes, including players speaking the last line of the Protestant version of the Lord’s Prayer. Over the next half hour of slow-motion replays, orchestral strains and gospel according to Harry Kalas, I found my religion.

Network pregame shows set the table for our weekly family macaroni dinner coinciding with the one o’clock kickoffs. Unfortunately, the menu of early games via Syracuse affiliates — usually involving the then inept Bills, Jets or Giants — were often hard to stomach. 

Highlights for me as a viewer were, well, the highlights.   

It’s why I pleaded with my mom to let me stay up late on Mondays, to hear Howard Cosell’s halftime rundown, and so appreciated Friday invites to my pal Mike Murphy’s house. Unlike us, his family had HBO and, hence, Inside the NFL

Long before 24-hour sports networks, the internet and on-demand, I couldn’t get enough. Decades passed, and as I moved on from describing games in my mind as a kid growing up to calling them for real all over the country, I collected NFL Films originals on VHS tapes, DVD’s and, eventually, digital downloads.

They helped pass time on lengthy bus rides through baseball’s minor leagues and filled the background as I prepped for Navy football broadcasts. Years before marriage led me to Boston, I wore out early editions of 3 Games to Glory, the series chronicling each of the Pats’ championship journeys. I loved them as much for Gil and Gino as Tom and Bill. 

Then in 2008, my fiancé and I left Annapolis for Quincy. We got married, she started a new job and I began a search for same.  Still voice of the Midshipmen, I took Friday a.m. flights to BWI, returned to Logan late on Saturday nights and listened live on Sundays to the Patriots radio legends.

During the week, I knocked on doors. One opened a year later at 98.5 The Sports Hub, the fledgling all-sports home of the Bruins and Pats. I introduced myself to the program director and his assistant and handed them an audition CD on my way out.

Meantime, I continued canvassing for openings or, at least, critiques. An out-of-market radio producer thought my play-by-play had a ‘college sound.’ An agent who turned me down suggested voice lessons. 

I listened more closely, with real purpose, to the NFL Films radio cuts. What does an ‘NFL sound’ sound like? And how can I capture it? I paid a local opera singer moonlighting as a voice coach in hopes of losing my nasality. It was either that or pay a more harmful price by pairing cigarettes with scotch.

Real or imagined, I noticed a difference during Navy’s 2012 season. That December, three years after calling on 98.5, I heard back. With Gil retiring, they wanted samples of my recent work. I sent some, was granted an interview and got the job.

My first season began in Buffalo, only a couple of hours west of Auburn. Tom Brady led a fourth-quarter comeback that Stephen Gostkowski completed with his last-second, game-winning field goal. 

It felt awesome, yet didn’t feel real. 

Searching for validation, I turned on Inside the NFL two days later and waited for Pats-Bills highlights. Hearing myself, I cringed. Wow, I can do better. Then I smiled. Whoa, it’s really me! 

Now nine years in, little’s changed. I still listen critically, and the experience of hearing anything I say on NFL Films is still a stamp of authentication. It could be a regular-season call on a weekly show or turning point on postseason commemoratives like America’s Game and Do Your Job. And 3 Games to Glory

In my role, I’ve gotten to know the filmmaker who oversaw production of all that Patriots content, Ken Rodgers. He’s a protege of Steve Sabol, whose vision for the company endures more than nine years after losing an 18-month battle with brain cancer in September 2012.

Sabol saw himself as a storyteller and NFL Films as myth makers. Mixing the arts of cinematography, provocative writing, muscular musical scores and the raw reactions of mic’d up coaches and players, as author Rich Cohen once wrote in The Atlantic, they “taught America how to watch football.” (1) 

Sixty years have gone by since NFL Films grew out of a small company Ed Sabol started with a 16-millimeter Bell & Howell camera focused mainly on family events, including Steve’s high school games. Thousands of programs and features earning hundreds of Emmy Awards have had as much to do with pro football’s enormous popularity as the men and moments they’ve mythologized.  

Much of football’s history is archived inside rows of canisters at NFL Films headquarters.

The Immaculate Reception. The Holy Roller. The Catch. The Tuck Rule.

Mention of any one immediately conjures up the way they were captured among the millions of miles of film saved today inside endless rows of canisters stored at NFL Films headquarters. Built a decade ago at a cost of $45 million in Mount Laurel, N.J., about 20 miles east of Philadelphia, it sits on a 26-acre campus.

“Hollywood on the Delaware (River),” Steve Sabol called it in the Philadelphia Business Journal. (2)

Development of the sprawling campus was overseen by The Staubach Co. Yes, that Staubach, Roger, the Heisman Trophy-winning quarterback at Navy who went into commercial real estate when he retired from the Cowboys.

While in Annapolis, Staubach was a hero to a young Bill Belichick, who grew up to become the subject of numerous NFL Films documentaries, before becoming an Emmy-winning co-host of the 100 Greatest series. 

In August, with the Pats in Philly for preseason practices against the Eagles, Belichick and his team crossed the Delaware to Mount Laurel, where Rodgers led them on a tour of NFL Films. The next morning, Rodgers did the same for a second group from New England. Thankfully, I was included.

Back in the summer of 2019, the Patriots paid a similar visit, stopping in Canton, Ohio on the way to joint practices near Detroit. The entire traveling party entered the Pro Football Hall of Fame. I studied the exhibits and stood in awe of its bronze busts, taking photos of many, including Staubach’s. And Ed Sabol’s. 

A statue of Steve Sabol and bust of his father Ed (middle right) at NFL Films, in addition to Pro Football Hall of Fame sculptures of Roger Staubach (upper right) and the older Sabol.

I snapped another upon entering the NFL Films lobby, where a similar sculpture of the older Sabol greets visitors. Winding in wonderment into and out of creative suites and recording studios, past photos and artifacts, we eventually ended our several-hour stay where the gears of the younger Sabol’s creative motor constantly turned. 

It is kept as it was. Boxes of index cards marked with Steve’s musings sit atop a credenza. Post-its featuring messages both banal and poignant, from phone extensions to life philosophies, stay pinned to cork boards. Though chairs around a conference table and at Sabol’s desk are empty, his spirit fills the room. 

You hear it in Rodgers’ voice and see it on his face as he talks about his mentor and runs his fingers along those index cards. And feel it, perusing what’s written and displayed on the surrounding walls. The same spirit has gone into every tight shot of a spiral or close-up of a cloudy breath since the early sixties, dramatizing a game to make it much more than it is. 

George Halas referred to NFL Films as “keepers of the flame.” In my life, they helped ignite a spark. Years later I still sense it in their work. 

Stumbling on Hank Stram calling for “65 Toss Power Trap” on an NFL Network special. Straying down the YouTube rabbit hole to find Billy “White Shoes” Johnson dancing in the end zone. Scrolling through football historian Kevin Gallagher’s Twitter content and coming across the 1971 Pro Bowl.

And when starting my game days with a song synonymous with the ‘Voice of God.’

Because like the voice of the Super Bowl, I’m so lucky and privileged to be a part of this thing.

Since Steve Sabol passed away from brain cancer in September 2012, his office has been kept as it was.

  1. – “They Taught America How to Watch Football” by Rich Cohen, The Atlantic, Sept. 18, 2012.
  2. – “NFL Films kicks off new digs” by John George, Philadelphia Business Journal, Oct. 7, 2002.

Remembering Jimmy Piersall


By Bob Socci

Since his death on Saturday night, remembrances of Jimmy Piersall’s colorful life have reexamined his nervous breakdown as a Red Sox rookie in 1952 and renewed appreciation for the way he played the outfield upon return.

Some rely on word of mouth, while others employ analytics to describe and demonstrate how Piersall’s guile and glove kept him in the big leagues for 17 seasons, despite volatilities that included a fluctuating batting average.

But for me, word of Piersall’s passing didn’t conjure up the image of a fleet center fielder running down fly balls at Fenway Park.  My first thought was of a clumsy slugger taking oversized cuts along the Mississippi River.

His name was (is) Alex Cabrera.  And if you saw him in any of his 31 major league appearances, all with the Arizona Diamondbacks in 2000, you’d know exactly how Cabrera looked playing for Peoria six years earlier.

Cabrera was then the property of the Chicago Cubs and a Class A prospect whose every trip to the plate epitomized cliches like ‘feast or famine’ and ‘all or nothing.’  Pitchers threw him something straight at their own peril.  By breaking one off, however, they added to their own amusement.

In his brief stint with the D-Backs, Cabrera homered every 16 at-bats but fanned in nearly a fourth of his other trips to the plate.  For every prodigious hit there were a fistful of ugly swings.  And misses.

So it was in the summer of 1994, when Piersall was roving between Cubs’ affiliates as an outfield instructor and moonlighting on radio.

From 1977-81, Piersall had partnered, both famously and infamously, on White Sox telecasts with the legendary Harry Caray.  But outspokenness and too-frequently-unfiltered opinions eventually forced Piersall out of the booth.  The title of his 1985 book said it best.  The Truth Hurts.  Often, the pain was self-inflicted.

Not that Jimmy stopped calling it as only he could see it.  Even while coaching, he appeared regularly on Chicago sports-talk radio.  When Piersall’s travels took him to the Midwest League, he pulled up a chair in the booth of the Peoria Chiefs.

The Chiefs were property of the late, great Pete Vonachen, who was every bit the outsized personality as his close pals Caray and Piersall.  Pete introduced Jimmy to the twenty-something calling games for his club — me! — and offered a standing invitation to sit in on broadcasts.

So Piersall spent pregame hours on the field with the Chiefs.  One of them, Dan Madsen, later made a name for himself in scouting by signing Dustin Pedroia for the Red Sox.  Another, Bo Porter, became manager of the Houston Astros.

Following warm-ups, Piersall put down his fungo bat, showered, changed and took a seat next to mine.  No different than when working with Harry on Chicago’s Southside, Jimmy aired whatever crossed his mind.

One early-May afternoon, Piersall was sitting in Davenport, Iowa, where the Chiefs were playing the Quad City River Bandits and Alex Cabrera was in full, free-swinging form.

As one of the few Chiefs with facial hair, Cabrera’s dark mustache lent years to his listed age of 22.  And at 6-2 and 217 pounds, he seemed even larger.

Cabrera’s swing must have been what poet Ernest Lawrence Thayer imagined for the Mighty Casey.  When he cut it loose, usually air (was the only thing) shattered by the force of (his) blow.

Every now and then, like in the game at Quad City, Cabrera flailed away to somehow contort his body into both a jackknife and corkscrew.

Having done that to corner himself into a two-strike count, Cabrera was fed another curve ball.  In his haste to devour it, he uncorked his massive right-handed cut.  Cabrera’s backside jutted toward the third-base dugout, while his head snapped hard over his left shoulder and his eyes rolled toward the sky.

With his weight pulled forward, Cabrera’s hands lunged high over the top of the off-speed pitch descending to the dirt.  The Mighty Alex had struck out.  Again.

So the author of The Truth Hurts lashed out.  Again.

“Will you look at where his ass ends up on that swing!” Piersall exclaimed, before muttering something not nearly as memorable as the three-letter synonym for someone’s posterior.

Remember, this was 23 years ago, when the a-word — believe it or not — was seldom heard on the radio.  Especially on small stations broadcasting to the Heart of Illinois.

The half inning ended, we broke for commercials and Jimmy removed his headset.   I needed mine on to stay in touch with the studio back in Peoria.  That day the young producer — probably no older than his late teens — was all but flipping out, fearful that we’d just run afoul of the FCC.  Which made two of us.

Jimmy couldn’t hear both sides of the conversation, but he did infer what was being said by the other party from my reactions and replies.  After 60 seconds or so, Piersall put his headset back in place and the bottom half-inning began.  Before I could re-set with the score, Jimmy interrupted.

“What’s wrong with the guy in studio?” Piersall asked, smiling slyly, as the first pitch went by.

“Hasn’t he ever read the Bible?” he continued, as the next pitch reached the catcher.

“Doesn’t he know about the story of the ass?” Jimmy quipped, quoting the King James and citing from the Book of Numbers while describing the so-called game of numbers.

It was his way of saying, “Relax kid.”

About a month later, Piersall re-joined the Chiefs in South Bend, Ind. for a series against the Silver Hawks.  I remember it well, because of the white Bronco.

It was June 17, 1994, and as Piersall hit fly balls to outfielders during batting practice, the radio station blaring out of the P.A. speakers broke into music with breaking news bulletins.  Wanted man O.J. Simpson was riding in Al Cowlings’ car, being chased by the California Highway Patrol on the Santa Ana Freeway (5).

In that ‘where were you when?’ moment, I was in foul territory, a few steps from Jimmy Piersall.

Later that year the Chiefs changed their affiliation from the Cubs to Cardinals.  Before they did, Jimmy gave me one more memory to hang on to.  He was talking to someone in the press box before a game and motioned in my direction.

“This kid’s going to be in the big leagues someday,” Piersall declared.

Maybe Jimmy was just trying to help me believe I could talk my way out of ‘A ball.’  But if it that’s how he honestly felt, that aforementioned book title was a bit of a misnomer.  Either way, the kind words meant a lot.  They still do.

Jimmy helped me learn about the game and kept me entertained.  He made me laugh and occasionally caused me to cringe.

Of course, I never would have experienced all of that if a young Piersall’s personal fear hadn’t met the same fate as so many Alex Cabrera at-bats — by striking out.